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- Full Name:
- Milo Fine
- Website:
- https://milofine.com/
Posts by Milo:
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02 Mar 2021 Gutter Cleaners; a video portrait
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14 Jun 2020 TRANSCEND the oppressor
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26 Jan 2020 Newly released (March 2020) CD: “acceptance of sorrow”
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15 Dec 2019 Return to Homewood Studios
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13 Sep 2019 Stop-gap; a moment for acknowledging
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27 Apr 2019 Solo concert at the University of Alabama (video)
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10 Apr 2019 Charcoal “Celebrating Henry” (video)
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25 Mar 2019 April 9 solo concert at the University of Alabama
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27 Oct 2018 Three Motions in Gmunden (video)
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09 Sep 2018 Austria 2018 aftermath
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15 Jul 2018 To Austria (Vienna and Gmunden) as one of Three Motions & reformARTseven
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07 Feb 2018 “Apophenia”; new CD released in limited edition of 200 copies
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15 Dec 2017 Relevant quotes
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02 Aug 2017 Improjazz (July/August 2017 #237)
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03 Jun 2017 with Book of Sand
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31 Mar 2017 “The Only Dignity Is Oblivion”; solo 3 CD set released in a limited edition of 200 copies
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02 Mar 2017 drum set/percussion & marimba video
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07 Dec 2016 With the reformARTorchestra on LP & Charles Gillett on YouTube
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05 Aug 2016 Additions To YouTube (reformARTwest/Gmunden; reformARTorchestra/Vienna; Teshuvah)
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01 Jun 2016 New Vinyl Available/Return From Germany-Austria
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11 Jan 2016 3 CD set of reformARTwest in Minneapolis published
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06 Dec 2015 Vienna/Minneapolis: Music for Sepp on December 30
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09 Oct 2015 “Le Son Du Grisli” interview
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26 Aug 2015 snippet of “noise”
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18 Aug 2015 reformARTwest aftermath (& Reform Art Unit documents available)
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23 Jun 2015 reformARTwest on YouTube
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02 May 2015 First Time In North America: Founding Members of Austria’s Reform Art Unit (est. 1965)
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01 Apr 2015 EARLIER OUTBREAKS published
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26 Sep 2014 35 years on
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13 Sep 2014 Recent Site Additions
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26 Jul 2014 Inaugural Events at Studio Toile d’Angles
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20 Apr 2014 A bona fide member
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05 Dec 2013 The Man Who Was Kicked Off The Earth
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07 May 2013 YouTube presence
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31 Oct 2012 Most recent document (with Davu Seru, Paul Metzger and Didier Petit)
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22 Feb 2012 What’s an “o” between fellow travelers? Whose gig was it anyway?
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25 Jan 2012 With Davu Seru/Paul Metzger (& Didier Petit) @ The Black Dog February 21
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18 Jan 2012 With the RAO as part of a multi-media package
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12 Jun 2011 Teenage Boatpeople: First public appearance in 30 years
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23 May 2011 Aftermath: Interfacing With Formal Composition
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23 Apr 2011 The Corner Shoppe launched to sell (mainly) used CDs and DVDs
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05 Oct 2010 In Vienna As Part of the Reform Art Orchestra
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01 Feb 2010 Gratitude
Purchase Recordings
Articles/Interviews
Aesthetics Addenda
Aesthetics
Last year, a local science museum presented a show that demonstrated, using art-like, interactive exhibits, how seemingly random natural phenomenon create patterns over time. It sounds like much the same dynamic is at work on SURGES/SUSPENSIONS, COMME TOUJOURS (Shih Shih Wu Ai SSWA 7-9). The musicians react to the moment, interacting subtly with each other as well as with the mechanics of their instruments, trying to find that sound unique to the instant. Taking any particular minute or two of this session, the listener would note the quirky, original textures used, but may wonder if it added up to anything. As the pieces evolve, they gain resonance from the accumulation of the preceding improvisitory play. Of course, that requires the listener to become part of the process. Music like this empowers the listener to become active in shaping the music. Left in the background, the passive listener interprets it as noise. But listened to with the concentration it demands, it becomes the kind of sound that helps keep the mundane noise – including much of what passes for music – of contemporary life at bay.- David Dupont Cadence (12/99)