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- Full Name:
- Milo Fine
- Website:
- https://milofine.com/
Posts by Milo:
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20 Apr 2023 Stephen Craig (Steve) Gnitka (May 13, 1953 – April 14, 2023)
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14 Nov 2022 George Roberts’ “improvised writing”
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13 Mar 2022 “Her Grace”; new LP by/final voyage with (of?) Teenage Boatpeople
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29 Apr 2021 TRANSCEND the oppressor
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02 Mar 2021 Gutter Cleaners; a video portrait
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26 Jan 2020 Newly released (March 2020) CD: “acceptance of sorrow”
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15 Dec 2019 Return to Homewood Studios
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13 Sep 2019 Stop-gap; a moment for acknowledging
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27 Apr 2019 Solo concert at the University of Alabama (video)
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10 Apr 2019 Charcoal “Celebrating Henry” (video)
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25 Mar 2019 April 9 solo concert at the University of Alabama
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27 Oct 2018 Three Motions in Gmunden (video)
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09 Sep 2018 Austria 2018 aftermath
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15 Jul 2018 To Austria (Vienna and Gmunden) as one of Three Motions & reformARTseven
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07 Feb 2018 “Apophenia”; new CD released in limited edition of 200 copies
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15 Dec 2017 Relevant quotes
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02 Aug 2017 Improjazz (July/August 2017 #237)
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03 Jun 2017 with Book of Sand
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31 Mar 2017 “The Only Dignity Is Oblivion”; solo 3 CD set released in a limited edition of 200 copies
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02 Mar 2017 drum set/percussion & marimba video
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07 Dec 2016 With the reformARTorchestra on LP & Charles Gillett on YouTube
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05 Aug 2016 Additions To YouTube (reformARTwest/Gmunden; reformARTorchestra/Vienna; Teshuvah)
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01 Jun 2016 New Vinyl Available/Return From Germany-Austria
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11 Jan 2016 3 CD set of reformARTwest in Minneapolis published
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06 Dec 2015 Vienna/Minneapolis: Music for Sepp on December 30
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09 Oct 2015 “Le Son Du Grisli” interview
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26 Aug 2015 snippet of “noise”
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18 Aug 2015 reformARTwest aftermath
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23 Jun 2015 reformARTwest on YouTube
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02 May 2015 First Time In North America: Founding Members of Austria’s Reform Art Unit (est. 1965)
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01 Apr 2015 EARLIER OUTBREAKS published
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26 Sep 2014 35 years on
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13 Sep 2014 Recent Site Additions
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26 Jul 2014 Inaugural Events at Studio Toile d’Angles
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20 Apr 2014 A bona fide member
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05 Dec 2013 The Man Who Was Kicked Off The Earth
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07 May 2013 YouTube presence
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31 Oct 2012 Most recent document (with Davu Seru, Paul Metzger and Didier Petit)
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22 Feb 2012 What’s an “o” between fellow travelers? Whose gig was it anyway?
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25 Jan 2012 With Davu Seru/Paul Metzger (& Didier Petit) @ The Black Dog February 21
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18 Jan 2012 With the RAO as part of a multi-media package
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12 Jun 2011 Teenage Boatpeople: First public appearance in 30 years
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23 May 2011 Aftermath: Interfacing With Formal Composition
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23 Apr 2011 The Corner Shoppe launched to sell (mainly) used CDs and DVDs
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05 Oct 2010 In Vienna As Part of the Reform Art Orchestra
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01 Feb 2010 Gratitude
Purchase Recordings
Articles/Interviews
Aesthetics Addenda
Aesthetics
As early as third grade, I was aware of being groomed. Not by my parents (directly, anyway, bless their hearts,) but by our society and culture. There was a certain recognition of perceived attributes which, combined with my gender and pigmentation, served to indicate that the world could be my oyster. (One of the few valuable things I learned in college was that there is no such thing as "race"; the gene pool being nothing but a more and more exotically mixed DNA cocktail. Racism? -- along with all the other "isms/phobias" of that ilk, which are nothing but self-hatred directed outwards, and, in addition, a vital tool to maintain the status quo/ruling class. -- certainly! But not race. Thus, "pigmentation".) So, innately; inherently?; no, intuitively, I was having none (or little) of the advantages of entitlement. Noble? I'd like to think so. Pragmatic? Absolutely. Some kind of small attempt to become part of something like a solution, or, at least, something which could be construed as more healthy than not. (That the oppressed have, at almost every opportunity, elected to adopt the mind set -- values and strategies -- endemic of the "pasty-faced male", rather than transcend the oppressor, is as sadly predictable as it is ironic. From another angle: when all is said and done, the only difference between rich people and poor people is the money.) In tandem with turning my back on my "birthright", and fueled by my growing and extreme distrust for the fodder shoved down our throats by every institutional representative of the status quo, I developed a marked interest in attempting to head elsewhere; specifically concerning the myriad of variables having to do with music/sound, but, in a broader context, examining the very nature of cognition. (Robert Musil's discussion of "der andere zustand" -- the other condition -- in THE MAN WITHOUT QUALITIES comes as close as the written word can to this, this elsewhere which so motivates me.)- milo fine (from the liner notes to ANANKE)