-- what transpires in the trio and quartet settings is powerful and frighteningly ambiguous. What this means is simple: Music can become so abstract it no longer resembles itself; then one of two things must have happened somewhere along the way in Western civilization: one is that we have never properly considered the vastness of its linguistic possibilities, and two is that music has ceased being a boundaried art.
- Thom Jurek from an All Music.com review of SURGES/SUSPENSIONS, COMME TOUJOURS
